Celestine is the fourteen-year-old girl who starts the Fahdamin-Ra series by being the narrator of the first book. She is based on my daughter Calllista. Like my daughter, Celestine is pretty, a little bossy with her brother, and very observant. She is discerning, picking up a lot of information about people, who are mostly unaware of her observations. She has a lot of common sense and is strong, but sometimes, like her brother Joel, she sometimes wishes that she was not a Creator in Fahdamin-Ra, with so many people depending on her.
Celestine is mature for her age, and that is why it was easy for her to make friends with Jetta and Ka-puki, who are both several years older than her. She makes many friends, but she has people whom she does not like. One of those people was Prince Kayin of Harun. Hopefully, the reader does not blame Celestine for not liking the prince, with his chauvanistic attitude toward women. She was irritated by him and finally, accidently, turned him into a pig. It was then that everyone realized that she was a Creator as well as her brother Joel.
I suppose that you could say that Celestine is a happy person who generally likes everyone as long as they act decently. If they are awful, Celestine does not like them and does not get over that very quickly!
Something that Celestine is having a problem dealing with is her friend, Chi. Normally, she would probably like him, because he is sixteen, handsome, and interested in all sorts of things. However, he has a terrible crush on Celestine, which makes her feel awkward because she is a Creator. Because Fahdamin time runs faster than here, Chi will be 60 years old by the time that she reaches 20. It also does not feel right that she has so much power over him. When he touches her, it is like getting a small electric shock, and Celestine instantly knows what he is thinking. She likes him as a friend, but she wants to give him the message that she is not interested in romance.
Most of the time, Celestine is happy visiting the tribes, checking on the cats she created for the Harun, and having adventures. She liked staying with the different tribes in the first book and seeing how they live, and loved traveling across the savannah in the second book, because they were exploring and having a lot of fun times. I can hint that in the third book, things get tougher, but she still gets to go on adventures, this time as a voyage to the lands in the north part of Fahdamin-Ra.
Instead of taking from this life, I am trying to give back, improve, or uplift with my many hobbies, but mostly through writing!
Showing posts with label Joel Bridges. Show all posts
Showing posts with label Joel Bridges. Show all posts
Monday, April 18, 2011
Thursday, March 31, 2011
Qui-ana, Head of the Jabulani Tribe
The Jabulani are ruled over by five women, called the Becca. Today, I will be talking about their leader, History Teller Qui-ana. Yes, all of the five Becca have titles for the jobs that they have in the tribe. Qui-ana is the most important, because she is the person who records the history and is able to recite it. In a tribe where no one reads and writes, it is a very important position. There were many tribes in Africa where the language was not written down, and special people were appointed to keep the tribe's history in their heads.
When a History Teller gets old enough to start forgetting the history, she retires and a new one replaces her. Even though Qui-ana is the leader of the tribe right now, there is an older woman who used to have her job, and there are several young girls who are learning. Once Qui-ana gets too old or forgetful for her job, the tribe holds a contest, with the young women History Teller apprentices competing for the job. The Becca and the adults in the tribe listen to the history, as each apprentice recites it individually. They also look for someone with leadership qualities, because the History Teller is also the leader of the tribe.
Qui-ana's mother was not a History Teller, but as a girl, Qui-ana showed responsibility and levelheadedness at such an early age, that the Becca noticed her. She is a strong and caring leader, and takes it personally when the "Creator-Creature" came and trashed Jabulan on several occasions while she was the head of the tribe. If she has a weakness, it is Cat-ara. Somehow, Qui-ana never found a man that suited her to marry, and she regretted not having a child. When Cat-ara's mother disappeared and Cat-ara was left an orphan, Qui-ana was happy to take her in. The problem is that Qui-ana has a soft heart when it comes to children, and she let Cat-ara have her way, which made the girl become an annoying bully in the process.
Qui-ana is close to her younger sister, Artist Teacher Fayola. Their mother got ill and died when they were 12 and 10. Their father did the best he could for them, aided by women in the tribe, until he died from a heart attack when his daughters were barely in their 20's. The two sisters were always close and are usually found in each other's company.
Besides being the History Teller and the leader of the tribe, Qui-ana has her own garden which she tends, and she goes fishing in the river when she wants to add fish to her diet. As their leader, she is expected to work harder than anyone else in the tribe, which means providing her own food. The Jabulani eat vegetables,peas and beans, fruit, nuts, and various kinds of fish and shellfish. They harvest salt from the ocean and use it to cure some of the fish that they catch. In addition, they like to grow their own spices and herbs. Hot peppers are a favorite additon to many of their dishes. The Jabulani butcher a sheep for special occasions, and the meat is roasted before it is shared by the tribe.
Qui-ana helps to beat the flax fiber and process it until it becomes linen, and then she weaves it and makes her own clothing. Usually the husband does this, but since she is not married, she is expected to do it herself. At sixteen, Cat-ara is old enough to make clothing for them both, but she only makes items for herself, and Qui-ana does not scold her for her selfishness.
Qui-ana and the rest of the Jabulani tribe have a fluctuating relationship with the Bridges family. At first, they were suspicious of Raymond and the children, because the tribe thought that the Bridges were in league with the Creator-Creature. After Raymond changed the soil back to fertile ground and Joel and Celestine created the ducks, the tribe realized how the Bridges were trying to help. They also liked Valerie, whom they recognised as a fellow creative person. Of course, all that goes down the tubes when the Creators befriend the "Creator-Creature" and try to change the Jabulani's minds about him.
No matter what happens, Qui-ana will lead them through.
When a History Teller gets old enough to start forgetting the history, she retires and a new one replaces her. Even though Qui-ana is the leader of the tribe right now, there is an older woman who used to have her job, and there are several young girls who are learning. Once Qui-ana gets too old or forgetful for her job, the tribe holds a contest, with the young women History Teller apprentices competing for the job. The Becca and the adults in the tribe listen to the history, as each apprentice recites it individually. They also look for someone with leadership qualities, because the History Teller is also the leader of the tribe.
Qui-ana's mother was not a History Teller, but as a girl, Qui-ana showed responsibility and levelheadedness at such an early age, that the Becca noticed her. She is a strong and caring leader, and takes it personally when the "Creator-Creature" came and trashed Jabulan on several occasions while she was the head of the tribe. If she has a weakness, it is Cat-ara. Somehow, Qui-ana never found a man that suited her to marry, and she regretted not having a child. When Cat-ara's mother disappeared and Cat-ara was left an orphan, Qui-ana was happy to take her in. The problem is that Qui-ana has a soft heart when it comes to children, and she let Cat-ara have her way, which made the girl become an annoying bully in the process.
Qui-ana is close to her younger sister, Artist Teacher Fayola. Their mother got ill and died when they were 12 and 10. Their father did the best he could for them, aided by women in the tribe, until he died from a heart attack when his daughters were barely in their 20's. The two sisters were always close and are usually found in each other's company.
Besides being the History Teller and the leader of the tribe, Qui-ana has her own garden which she tends, and she goes fishing in the river when she wants to add fish to her diet. As their leader, she is expected to work harder than anyone else in the tribe, which means providing her own food. The Jabulani eat vegetables,peas and beans, fruit, nuts, and various kinds of fish and shellfish. They harvest salt from the ocean and use it to cure some of the fish that they catch. In addition, they like to grow their own spices and herbs. Hot peppers are a favorite additon to many of their dishes. The Jabulani butcher a sheep for special occasions, and the meat is roasted before it is shared by the tribe.
Qui-ana helps to beat the flax fiber and process it until it becomes linen, and then she weaves it and makes her own clothing. Usually the husband does this, but since she is not married, she is expected to do it herself. At sixteen, Cat-ara is old enough to make clothing for them both, but she only makes items for herself, and Qui-ana does not scold her for her selfishness.
Qui-ana and the rest of the Jabulani tribe have a fluctuating relationship with the Bridges family. At first, they were suspicious of Raymond and the children, because the tribe thought that the Bridges were in league with the Creator-Creature. After Raymond changed the soil back to fertile ground and Joel and Celestine created the ducks, the tribe realized how the Bridges were trying to help. They also liked Valerie, whom they recognised as a fellow creative person. Of course, all that goes down the tubes when the Creators befriend the "Creator-Creature" and try to change the Jabulani's minds about him.
No matter what happens, Qui-ana will lead them through.
Tuesday, March 22, 2011
Joel Bridges From the Fahdamin-Ra Series
Joel Bridges, along with his sister Celestine, are the main characters in the Travels to Fahdamin-Ra series. He is an energetic 12-year-old boy who loves animals and always seems to be running headlong into trouble.
Like Celestine, Joel is an unusual character in young adult fantasy books because he is brown. When he and his sister are whisked away to Fahdamin-Ra, he adapts quickly to the situation, and is eager to explore, even if that means following a leopard into the brush. When he creates his dragon, Cheswick, it is another example of Joel's love of animals, but he has not stopped to think of the consequences. While crossing the savannah, he has time to regret creating the mythical creature and bringing it to life.
I based Joel's character on my son, Toliver. It was relatively easy for me to work with the characters of Celestine and Joel, because they are based on my children. Joel and Celestine's relationship with each other was easy to establish after years of observing my kids. I like the way Celestine alternates between being protective of her younger brother and being exasperated with him. I like Joel's energy and enthusiasm, and the way that he mostly complies with his older sister.
I hope that readers pick up on the feeling that he was close to Father King Sudi, and that is why Joel carries a little elephant figure that Sudi gave him in his Spirit Pouch. One of my favorite parts of Across the Savannah (if authors are allowed to have a favorite part in their books) is when Joel looks through his Spirit Pouch, examining each item that makes him think about some of the people he cares about. I think that men would like it if Spirit Pouches caught on - instead of a bulky wallet and keys making unsightly bulges in their pants pockets, they could have a spirit pouch dangling off of their belt.
It was hard at first to have Joel narrate the book, because I wrote it in first person and I did not want him to sound exactly like his sister. It took a little experimenting, but Joel's style is less descriptive, and more action. Once I developed the style and became accustomed to writing that way, it was fun. I always like getting to the action parts, building up the scene. Joel's enthusiasm and energy makes it easy for me to jump into the action.
If you are a reader that likes Joel, you will see much more of him in the upcoming two books. The fourth book in the series will feature Joel telling the story, which I hope to make humorous.
Like Celestine, Joel is an unusual character in young adult fantasy books because he is brown. When he and his sister are whisked away to Fahdamin-Ra, he adapts quickly to the situation, and is eager to explore, even if that means following a leopard into the brush. When he creates his dragon, Cheswick, it is another example of Joel's love of animals, but he has not stopped to think of the consequences. While crossing the savannah, he has time to regret creating the mythical creature and bringing it to life.
I based Joel's character on my son, Toliver. It was relatively easy for me to work with the characters of Celestine and Joel, because they are based on my children. Joel and Celestine's relationship with each other was easy to establish after years of observing my kids. I like the way Celestine alternates between being protective of her younger brother and being exasperated with him. I like Joel's energy and enthusiasm, and the way that he mostly complies with his older sister.
I hope that readers pick up on the feeling that he was close to Father King Sudi, and that is why Joel carries a little elephant figure that Sudi gave him in his Spirit Pouch. One of my favorite parts of Across the Savannah (if authors are allowed to have a favorite part in their books) is when Joel looks through his Spirit Pouch, examining each item that makes him think about some of the people he cares about. I think that men would like it if Spirit Pouches caught on - instead of a bulky wallet and keys making unsightly bulges in their pants pockets, they could have a spirit pouch dangling off of their belt.
It was hard at first to have Joel narrate the book, because I wrote it in first person and I did not want him to sound exactly like his sister. It took a little experimenting, but Joel's style is less descriptive, and more action. Once I developed the style and became accustomed to writing that way, it was fun. I always like getting to the action parts, building up the scene. Joel's enthusiasm and energy makes it easy for me to jump into the action.
If you are a reader that likes Joel, you will see much more of him in the upcoming two books. The fourth book in the series will feature Joel telling the story, which I hope to make humorous.
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